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San Miguel de Allende photography workshop photo

As published in the Atención San Miguel newspaper, San Miguel de Allende, Mexico 

Seeing San Miguel for the first time, again.

San Miguel de Allende photography workshop photo

Do not adjust your Monitor. This picture is blurry. Read on to find out why.

Remember the first time you laid eyes on San Miguel de Allende? I don’t, but I imagine it must be a splendid sight. Unforgettable, even.

My first eyeful came in 1969, when my bohemian mother moved us down here (I was 18 months old). While mom learned to paint, I learned to speak. Along with the smell of linseed oil, I got very used to San Miguel’s riot of shape and color.

Our little time-warp municipality, with its unique palette of ornate colonial architecture, blazing colors and improbably blue skies, should be enough to provide daily delight for anyone’s retina. But I have to admit I seldom see the beauty that surrounds me.

I pass by our improbable pink cathedral nearly every day, but months will go by without me looking up at it at all, much less in wonder. It seems I’ve succumbed to one of the risks of living in a postcard place: I’ve developed immunity to it.

My ambient blindness is a serious problem. If I’m not seeing San Miguel, I might as well live in Detroit. (I hear parking is easier there.) So I formulate a plan.

Each October, throngs of photographers descend on San Miguel under the auspices of the Santa Fe Photographic Workshops. They come to indulge their photographic obsessions, to hone their skills, and to find inspiration in our abundance of eye candy. Last year, I joined them.

With income in mind, the small, adult part of my brain chooses a workshop called “Travel Stock Photography.” But really, what I want from this course is a reintroduction to my hometown.

Just before sunset on a Sunday evening in early November, I wander into the courtyard at the Hotel Posada de La Aldea. We, the workshoppers, are to meet for drinks before orientation. A chilly fall breeze blows, rustling the leaves of the ficus trees. The sound of shutters whirring competes with the trilling of the crickets—the place is crawling with photographers.

As the light fades, they reluctantly detach their faces from their equipment and gravitate over to a cluster of wrought iron tables, where a bar has been set up. Inadequate schmoozer that I am, I’m a bit tense. So many new people, and I’ve never seen such big lenses. (My camera, I realize, is woefully inadequate. My lens is Lilliputian.)

Aside from being quite friendly, my new comrades are dedicated photophiles. Entirely willing to forgo the leisure part of travel, they’ll spend the week shooting from golden hour to golden hour, edit long into the night, and not feel they missed a thing. As a frizzy-haired woman next to me, hugging a camera the size of a toaster says, “What could be better than spending a week with your camera and new friends in an exotic place?”

Monday morning. After an early breakfast with Santa Fe faculty and fellow enthusiasts, we file into our conference room/classroom at the Aldea. The lights soon go off and the images go up. Each participant has prepared his or her ten best-ever photographs for this introductory show.

Seeing each person’s work is illuminating — a bit like looking inside them. We get a glimpse into each other’s quirks and affinities, style, and “eye.” Then it’s time for class.

Unlike most Santa Fe workshops, a large part of ours is lecture, stock photography being a singular and exacting genre. Normally, spending several hours a day taking notes and looking at slides in a dark room isn’t the ideal way to pass the time in a major travel destination like San Miguel. But in this case, it’s perfect.

First, because instructor Patrick Donehue—ex-vice-president of Corbis, the world’s number two stock photo emporium—is as engaging a speaker as he is encyclopedic about his field. Second, because it’s all about photography. What could be dull about that? The morning flies by.

In the afternoon, we are let loose on an unsuspecting San Miguel with two assignments: to take quality photos for an imaginary high-end travel article, and to garner great stock photography. Images that—if we are very lucky, skilled and savvy—could make us a fortune (or at least pay for a cappuccino at Cafe del Jardín).

Before setting out, I pore over my notes and compile a meticulous shooting schedule. Once behind the camera, however, the plan flies out of my head and I find myself compulsively clicking away. Then the sun is setting.

The five intervening hours have somehow vanished, and the molten light has my brain tingling. I run into our instructor in the Jardín. “The town is sparkling,” I babble. He smiles. I’m still out on the town at 7:00 pm, when it’s time to go to the Angela Peralta for photo presentations by the week’s faculty. More inspiration. More eye food. It’s a feast, and I’m pigging out.

I head home around 9:00, yearning for rest. But I have homework: comb through more than 500 pictures, try to pick ten worthy of imposing on my group tomorrow, and then tweak them on the computer.

When I finally get to bed, I can’t sleep. I can only think about images I’ve seen, made or might make tomorrow. Much later, I doze off—only to dream about taking photos.

Tuesday begins with everyone’s Monday best, and I’m eager witness to my classmates’ first impressions of San Miguel. Despite feeling like I may have seen it all around here, many of their images are surprising, fresh—new, even. Maybe I’m on the right track here.

We move on to lecture. I’m a bit distracted. While I’m sure it’s vital to know about the different stock photo rights and payment systems, I’m itching to get out on the streets again.

Peering through the viewfinder that afternoon, I’m less frenzied than the day before. After all, I think, I do live here. I could do this every day. So I try to stroll. Take my time. Before long, I am happy, very happy. Also slightly insane. Shameless, I accost complete strangers to get a picture, chatting them up in the hopes of coaxing a natural look.

 Smiling San Miguel de Allende street musicians on a break

San Miguel de Allende street musicians on a break

I approach the young woman selling esquites (corn on the cob with mayo and chile); four members of the Tuna Oratoriana—buskers in antiquated velvet costumes complete with puffy sleeves; five teenagers lolling on the cathedral steps; mariachis chatting on cell phones; the newspaper vendor; the shoe-shine guys; all my favorite waiters. Apparently, no one is safe from me when I’m armed with a camera.

Wednesday brings a discussion of trends in a different kind of stock market. After class, I go to market—specifically, the Mercado Principal, where my mother used to take me as a child to get produce and flowers. I still frequent the place in search of my own bouquets, but his time, the old mercado is transformed.

Mounds of Technicolor fruit beckon sweetly. The veggies exude a savory allure. I lose myself in photographing a shy young girl at a torta stand festooned with religious icons; a laughing man making licuados for friends; a tangled profusion of flowers; legume vendors entranced by the telenovela that echoes from nearly every stand; an icon of the Virgin Mary haloed by the colors of the Mexican flag—jalapeños, red chiles and onions. Hours later I emerge, rapt.

Thursday, our last full workshop day, means more in-class enlightenment—portfolios, agencies, money matters—and our final afternoon of shooting. By now, I figure, I should be a seasoned pro: my vision keen, my images impeccable, my trigger finger honed and twitching slightly as it hovers over the shutter button.

Instead, I am lethargic, paralyzed by an utter lack of inspiration. Listless, I roam the streets of my picture-perfect town, half-heartedly waving my inferior camera around. People, color, old buildings. Yeah, whatever. This must be burnout from an intense week.

At a loss, I start messing around with my focus ring. I take a deliberately blurry picture. Before I know it, I’m in the zone, annoying taxi drivers who do not appreciate my squatting in middle of the street to get the perfect shot. I end up with 206 decidedly not-sharp pictures of Hidalgo Street.

The vivid red, ochre and pink buildings, the darker rooflines zigzagging against the blue sky, the cobbled street leading out of the frame and into parts unknown. Ahh. Another indistinct image traces the soft white arches of the church on San Francisco behind a dreamy soft palm tree. Ahh. For some reason, these pictures bring back my childhood. (Was I nearsighted as a kid?)

Instead of wasting a day, I feel I have captured the smallest bit of the essence of my own San Miguel. The magic of this town, I realize, resides not only in the fine details of its historic architecture, or even in its singular people.

Abstract photo of San Miguel de Allende palm with church spires

Abstract San Miguel de Allende palm with church spires

 

It’s also there in the abstract—in large blocks of rich color, in the geometry of stonework accent lines, and in the cerulean sky embracing it all. So, I spend my last afternoon of directed shooting drunk on beauty and, once again ignoring the assignment, cruising the calles with my pupils dilated and my lens unfocused. My town, once again, is splendid.

On Friday morning, the group is very kind about my images, but I‘m pretty sure they think I’ve lost it. Huh. Maybe she dropped her camera? Maybe a screw or two did unwind, but of the ludicrous number of images I’ve shot this week, these are my favorites.

Of course, my blurred epiphanies are not included with the sharper images in the Friday night dinner show, celebrating our week of work, but I still love them. Partly because my brain tingles when I look at them, and partly because they are physical proof that I found a way to really see my hometown in all its glory, without recourse to psychotropic substances.

It’s been nearly a year. Sometimes I still forget to see. There I am in the car, cursing the kid on the four-wheeler that just cut me off instead of enjoying the color of the morning light on a stone lintel, the burnished glow of an umber wall.

Fortunately for me, in San Miguel, beauty is always just around the corner. All I have to do is open my eyes. And take another workshop.

(As published in Atencion San Miguel)

Casita de las Flores, before remodeling

or How to Start a B&K (Don’t Try This at Home)

What a trip!

Once upon a time, eleven years ago, in a land sort of far away… a dusty, overheated and traumatized (Mexican roads) 12-year-old Nissan Pathfinder rattled into the yet-to-be-fully-discovered town of San Miguel de Allende, Mexico.

The car, more tan than red at this point, lurched to a stop next to the (then only) Pemex gas station on Ancha de San Antonio, the main drag. Muffled sound emanated through the closed windows, and the attendants in their green coveralls looked at the car sideways…is that a cat howling? Is that women arguing?

“I’ve just got to stretch my legs!” I shouted, slamming the door and stalking away. A few deep breaths in the nostalgic noise and fumes of Mexico, my childhood home, calmed me (oddly enough).

My temper was frayed, to say the least, after three days cooped up in a car with:

• My mother (very cranky)
• My cat (also cranky)
• My two large dogs (good sports, really)
• Blurry childhood memories
• Absurdly high hopes
• No idea whatsoever of how to make a living in Mexico.

But, I’m getting ahead of myself.

A few months and three days earlier, I had started packing up 15 years of life, college, work, grad school, and then more work in San Diego, California. I had decided to move back to San Miguel, where I lived as a kid. Where my mother still lives. She kindly came up to help me pack, not realizing it would take more than a month to finish dismantling and dispersing said unreasonably cluttered life.

We set off on a three-day road trip, visiting family on the way. We never drove more than eight hours a day, but it felt like 28. We stayed at whatever strange lodgings accepted pets. Or we snuck them in.

Crossing the line

When we hit the border two days later, my mother got the dogs out of the car for a stroll. The Mexican customs official came over to the open rear hatch of my car, leaned his folded arms on the tailgate, and, lifting the top blanket, surveyed the two-foot-thick mass of densely packed items that lined the back.

The top layer was only a taste of the madness that lay below. An hors d’oeuvre, if you will. Ie: a cast iron frying pan filled with rolled-up underwear. A French-English dictionary the size of a toaster oven. A box of Triscuits (regular flavor). A set of knives, forks and spoons bundled with a rubber band. The base of a cordless phone. A cheese grater with several pair of socks stuffed inside. A pair of folded flare-leg jeans (be kind — it was 2000, after all).

My “baggage” was huge, and deep. It had levels, it had strata, it had echelons, even. My mother, the self-appointed Master Packer, had convinced me that her method was the most efficient. “More stuff will fit without boxes,” she said, wedging my hair dryer next to a framed photo of my father wrapped in two sweaters. “If I just pack it very carefully.”

What resulted was a three-dimensional possession puzzle, like a huge lasagna, composed of my worldly goods — topped off with my bedding and an old dog blanket. Rilke and Buddha, my dogs, rode 3,000 miles to Mexico on top of what was left my life, basically.

As Isolde, my cat, meowled indignantly from her cage behind the driver’s seat, the customs guy dropped the top blanket and put his head down on his folded arms. I just stood there, smiling my best kiss-up-to-uniformed-third-world-authority-figures-so-as-to-be-on-my-way-soon smile. Looking up, he turned to watch my mother carrying on a loud one-way conversation with the dogs as they sniffed at a post a few yards away. Finally, he looked at me.

“You got any guns or drugs in there?” he asked, gesturing vaguely at my lasagna.
“Why, no.” I answered, grinning madly. “Of course not.”
“Bien.” He said, slapping the car as he turned to walk away. “You can go.”

The rest of the trip was pastel (cake.) And so, my mother and I made it home to San Miguel, without getting pulled over into secondary inspection (which, in unpacking and repacking, would have delayed us by at least 12 hours) or killing each other.

How to start a b&b (not)

I wasn’t trying to get rich (not going to happen), but I needed to be able to support myself in the style to which I hoped to become accustomed. So, hourly Mexican wages were not an option. I also had to have time for creative projects (whatever they might be), so a normal, full-time job was equally out of the question. After several months of dawdling around trying to find a non-toxic way to pay for a modest life here, I decided real estate had to be the thing.

Through several strange coincidences, I found a very odd little property in a great, as-yet-ungentrified, older San Miguel neighborhood not too far from the Centro. With five bedrooms, a kitchen, two baths and no living room, the house sat on a dirt rubble “road” (read: riverbed), but it had a second entrance on a nicer street. (Both streets have mercifully been repaved since.)

As often happens when I get excited about an idea, I leapt without looking (at more than one place). I bought my cute little hovel and started fixing it up immediately.

Somewhere during the 3 months that turned into a year of renovations, I had a conversation.
“What are you going to do with it when it’s done?” asked a friend as we poked around the construction site, choking on cement dust.
“Make it a vacation rental, I guess.“
“You’d probably make more money if you made it a B&B.” He said.
And Casita de las Flores was born. (Thank you, friend.)

The Casita (technically not a B&B but a B&K — Bed and Kitchen) started out on the thinnest of shoestrings in 2002. A garage sale fridge, a garage sale stove. Mattresses on tapetes (woven straw mats) on the floor.

The very first weekend we rented was the infamous erstwhile Pamplonada, when 20 or so young people paid to not sleep at my place. (They were very busy partying all night and vomiting in the town square.) Other than a very messy avocado/guayaba fight, the Casita survived their onslaught. (PS: in September, our trees offer you all the free avocados and guayabas you can eat — NOT throw.)

This inauspicious event helped me pay for bed frames, closets, desks, and chairs. For the website, I had to go into hock. Soon after, Casita de las Flores really opened for business.

We started out charging US $20 a night for one person. Less than US $400 for a month. My very first guests stayed before construction was totally done and are now lifelong friends. (I was so happy to have them there. Such forgiving women.) Spring just had her first baby and Tina is coming to stay with me again next month.

San Miguel business school

Of course, I had no experience whatsoever in the field (other than having traveled a lot, and having often been a guest/critic at different accommodations). Business plans are much worse than Greek to me — they’re like math (shudder). My minimal market research, as there was no affordable online hospitality market then, was tooling around on the internet to see if the name was taken. (Since then, the Casita name, website text have been stolen wholesale by a place in Chile, thank you very much. Even some of the pictures! Imitation is the sincerest form of flattery, or so they say. Note to travelers: be sure to look up your lodgings on at least a couple of platforms/websites to make sure they’re real.)

But I’ve always felt I knew better than most how things should be done (much to others‘ chagrin), so I figured I could handle it. And I knew in my bones that San Miguel needed a comfortable, accessible place for real travelers to stay. Not some fancy shmancy US $120 a night place, but something even I could afford. A place where I would want to stay. A place where I could have both my privacy and an opportunity for social interaction (a much different interaction from what can be had in an impersonal hotel, a sterile lobby, or a sloppy bar). Those were my guiding principles. That and a love of art projects (none so huge, before the Casita).

Casita de las Flores took a while to catch on. Our first year, earnings were laughable (cryable, mostly), but I kept meeting great people and business slowly grew.

In the first months, we had a particularly difficult guest who complained about absolutely everything. The noise from doves and roosters. The sounds from the high school across the street. The occasional noise from neighbors. The lights’ sporadic flickering. The dust. The breeze. The sun. (Basically, she was complaining about Mexico.) “It’s not as nice as a Motel 6,” she said of the Casita, sniffing, as she left. (The profoundest of compliments, I’ve come to realize.)

As soon as her taxi sped (well, rolled) away, I grabbed my web guy by the collar and told him we were making some changes. I went back into my lovingly designed and written website and dressed it down. I took out all marketingspeak and made things sound less inviting. Consciously working for the frump factor, I spoke of Mexico in all its gritty glorious reality.

Since then, we’ve mostly gotten travelers (a very different breed from your average tourist). These are people who’ve been around. Who know that things are unavoidably different in other countries (that’s actually why they go there.) And who know that finding an oasis of comfort, security, charm, and relative peace in any foreign country, much less a developing nation, for under US $50 a night is not to be sneezed at. They are grateful for my efforts, and I am very grateful for them. My customers and I get along swimmingly now. Mostly. (See Lesson 2).

Build and learn

Back to the shoestring. We started out with a garage sale fridge and stove, and minimal furnishings or decor. Seven years later, we have a fancy newish fridge (time flies) a garage sale stove (still works perfectly), and quite a bit of cute stuff. (But not too much—I hate cluttered decor. The Casita is of the little-known Mexican Zen School of Design.) We make a living. More importantly, we have made tons of friends and family. Even more importantly than that, we’ve learned a lot.

(And the place has changed a wee bit…)

img 17031 The Casita de las Flores Story

Casita de las Flores, after…

Lesson 1: 99% of people are really great (at least in our price range). Oddly enough, this business has increased my estimation of human nature, which wasn’t terribly high nine years ago. Through this very social enterprise, I have met quantities of fabulous people, many of whom are now friends and neighbors. And, thank the modern gods (demons?) of rampant anonymous criticism, the large majority of our reviews have been good ones. Though the occasional malcontent and his/her (snarky, public) bad review still hurts (see Lesson 2).

Casita de las Flores is fortunate to have many return guests who enjoy coming home to us, year after year. (I hope they like the color we just painted the kitchen, and Gayle’s room—I’m expecting some flack. People get attached.) My favorite example: a group of women (three of them named Gail, in various spellings) who met at the Casita years ago returned for a “Casita Reunion” here last October.

It was a time of much giggling.

At least once a month, be it at a party, an art opening, or at the grocery store, I run into a former guest who is now a San Miguel resident. I love this brand of deja vu, and I love knowing that my Casita was their first home in this town. Together, we’ve survived the real estate boom, world renown, the cartel hysteria, the swine flu hysteria, and even (more or less) the first-world media. They are now my men- and women-at-arms, my hairdressers and acupuncturists, my vecinos and compadres.

Lesson 2. You really CAN’T please everyone all the time. Unfortunately, that less-shiny one percent of guests — the ones who are never happy no matter how much you do, no matter how much you give — sometimes seem to outweigh the other 99%. They have made me, on more than one occasion, consider selling the business. But then the 99% moves in again and I feel better, and I keep on.

Lesson 3: Humans are (mostly) sociable animals. Sure, there’s been the occasional fight over cheese ownership (we now have a separate fridge shelf for each room) and we’ve had a few feuds. (The Casita is its own little ecosystem, after all, evolving with each group of guests.) But mostly, people have fun. They befriend one another. They end up having dinner parties and outings and trips together. Sometimes, they even become good friends and correspond with each other, and me, for years. (This whole people-getting-together thing was a huge, unexpected fringe benefit buried within the “let’s start a B&K, shall we?” pseudo-plan.) Of course, socializing is optional. If you simply “vant to be alone,” we’ve got privacy, too.

Lesson 4. It is possible to make a meaningful life outside the box. Ok, Casita de las Flores is not saving the world. (It may be saving my life, however, as I slowly recover from 9 to 5 fluorescent lights.) I’m no Mother Teresa, but, I take my role as a Vacational Therapist™ quite seriously.

Vacational Therapy™

I now know (yes, in my bones) that this “job” is not really a job, and that it’s far from just a means to an end. Ok, so Casita de las Flores makes us a living (nearly every month!), but more importantly, the Casita helps people. Not in any huge, earth-shattering ways, but in small, yet meaningful ways. Having this unusual little nook in which to be at home while not at home helps our guests to make connections—with San Miguel, with fellow travelers, and (most importantly) with themselves. (Often by allowing them to have a moment, or many, to simply be.)

The magical, stress-dissolving hammock

After hours and hours of travel and years and years in the hectic realms of the first world, people often arrive stressed out, exhausted and extremely cranky. They blow in the door, blasting cold first-world anxiety around them, like one guest I’ll call Molly:

“My luggage…it didn’t make it on the plane!”
“My cell phone isn’t getting reception!”
“I left my wallet in the cab!”
“What do you mean there’s no TV??!!!!”

After a few days, it’s a different story

Fast forward two weeks. On a particularly technicolor-blue sky, big white puffy-cloud, birdsong and butterfly day, I wandered out to the patio with my pruning shears. There was Molly, gently swaying in the hammock, lazily trailing her fingers back and forth on the patio bricks.

“Whatcha doing, Molly?” I asked.
“Watching the laundry dry,” she replied.
I smiled, turned and tiptoed away.

Another Vacational Therapy™ success story. Life is good.